Monday, 29 June 2020

King of the Belgians (J. Woodworth / P. Brosens, 2016)


King of the Belgians, which stars Lucie Debay and can be bought or rented here, is a road movie in which a dormant King gets lost in the Balkans and awakens to the real world. King Nicolas III is a lonely soul who has the distinct feeling he’s living the wrong life. He embarks on a state visit to Istanbul with a British filmmaker, Duncan Lloyd, who has been commissioned by the Palace to shoot a documentary intended to polish the monarch’s rather dull image.

The news breaks that Wallonia, Belgium’s southern half, has declared its independence. The King, bursting with purpose, must return home at once to save his kingdom. And for once, he declares, he will write his own damn speech. As they rally to depart, a solar storm strikes the earth causing communications to collapse and airspace to shut down. No phones. No planes. To make matters worse, Turkish security coldly dismisses the King’s suggestion they return home by road. But the King has no intention of waiting out this storm. Lloyd, sniffing an opportunity of historical proportions, hatches a dubious escape plan that involves flowery dresses and singing Bulgarians.

Thus begins their undercover odyssey across the Balkans, a journey that’s loaded with wrong turns, startling encounters and moments of fleeting joy.

Director's Statement:

An Icelandic volcano erupted and an idea was born: let’s drop a Belgian King in Istanbul, stir up a natural disaster, spark a political crisis and then launch him on a homeward overland journey, incognito, that features trip-ups, show-downs and moments of grace. Displacement as the essence of comedy, in other words. 

The challenge was how to actually tell this tale... The Royal Palace hires Duncan Lloyd, a Brit, to upgrade the King’s image. Nicolas III is a lonely soul who drifts through the motions of protocol and is largely kept silent. His unexpected odyssey through the Balkans causes him to question his worldview and to ponder his awkward place in the universe. He is but a man. But he is also a King. What could or should that mean in such fragile times? Lloyd’s lens is the sole prism through which we experience these six extraordinary days in the life of a King. 

And what about Belgium, a complicated little country that specializes in surrealism and compromise? The ongoing political turmoil in our peanut kingdom and Europe’s ever-deepening identity crisis were a key source of inspiration. But the political tangent of the film remains secondary to the inner transformation of the King as he savors his anonymity and begins to discover his genuine yearnings. 

To enhance authenticity and spontaneity we often invited the actors to improvise. And we filmed chronologically. The situations become increasingly outrageous but actually remain delightfully believable. The result is King of the Belgians, a road movie about a wayward monarch profoundly lost in the Balkans.

Source/image: Flanders Image

Monday, 8 June 2020

The Ape Man (Pieter Vandenabeele, 2017)


A small, plump man lives on the top floor of a skyscraper. During the day, he's a garbage man, but in the evening, he watches Tarzan movies and maintains his lush roof garden. One day, when he hears the aggressive rants of his neighbour, he looks for the Tarzan inside to rescue the Jane next door.

Centraal staat een klein, dik, eenzaam mannetje dat op de bovenste verdieping van een wolkenkrabber woont. Hij heeft een voorliefde voor Tarzanfilms en onderhoudt daarom een weelderige daktuin. Wanneer hij, over de muur heen, hoort hoe de buurman agressief tekeer gaat, zoekt hij naar de Tarzan in zichzelf om zijn buurvrouw te redden.

Pieter Vandenabeele is an illustrator and animator. In 2014, he graduated at KASK / School of Arts Gent with the animated short A Dog's Life, which was selected at several international film festivals. His newest animated short, The Ape Man (available here), is loosely based on a comic book he made a few years ago. Other work of his includes Mee-eters and De Kraai Met Vier Poten.

"The short animation film, The Ape Man, finds its origin in De Amateur, a comic book I made in 2011 as a graduation project for my training as an illustrator. With this comic, I wanted to tell the story of a lonely (little) man hopelessly in love with the woman who lives next door. It was my intention to portray the desire for an impossible love in a goofy way through this character. I originally planned to add a couple of chapters to this comic, but after my education as an animator, I decided to adapt the story to an animation film. In order to do so, I added a pinch of action and just a touch of entertaining violence" - Pieter Vandenabeele

Source/image: Flanders Image

Trailer

Tuesday, 26 May 2020

We Are One: A Global Film Festival (29/5/20–7/6/20)


Tribeca Enterprises and YouTube announced today the programming slate for We Are One: A Global Film Festival, which will feature over 100 films co-curated by 21 prolific festivals, hailing from 35 countries, in addition to talks, VR content and musical performances. The 10-day digital event will celebrate global voices, elevate films that have the power to create change and bring audiences from around the world together to create meaningful connections. Assembling some of the world’s most talented artists, storytellers and curators around a central effort to provide entertainment and offer relief in the form of supporting organizations responding to the COVID-19 pandemic, the festival will run exclusively on YouTube May 29 - June 7 at YouTube.com/WeAreOne.


We Are One: A Global Film Festival will give audiences an opportunity to experience different cultures through an artistic lens - each official selection was handpicked for inclusion to highlight the singularities of each participating festival, while also providing a voice to filmmakers on a global stage. Many of these titles will have significant debuts at the festival, with programming consisting of over 100 films, including 13 world premieres, 31 online premieres, and five international online premieres. A truly international festival, the programming will represent over 35 countries and will include 23 narrative and eight documentary features, 57 narrative and 15 documentary short films, 15 archived talks along with four festival exclusives and five VR programming pieces.


We Are One: A Global Film Festival will host a number of specially-curated talks, both archived from past festivals and brand new discussions, that will offer viewers a chance to revisit important moments in film. Talks will feature Francis Ford Coppola with Steven Soderbergh, Song Kang-ho and Bong Joon-ho, Guillermo del Toro, Jane Campion and Claire Denis. 360 VR selections will feature Emmy-nominated documentary Traveling While Black and Atlas V, a sci-fi narrative starring Bill Skarsgard, as well as additional titles with notable talent including John Legend, Oprah Winfrey and Lupita Nyong’o. There will also be special musical performances, including a 30 minute DJ set by Questlove.


The global festival will include programming curated by and unique to the identity of all participating festival partners, including: Annecy International Animation Film Festival, Berlin International Film Festival, BFI London Film Festival, Cannes Film Festival, Guadalajara International Film Festival, International Film Festival & Awards Macao (IFFAM), International Film Festival Rotterdam (IFFR), Jerusalem Film Festival, Mumbai Film Festival (MAMI), Karlovy Vary International Film Festival, Locarno Film Festival, Marrakech International Film Festival, New York Film Festival, San Sebastian International Film Festival, Sarajevo Film Festival, Sundance Film Festival, Sydney Film Festival, Tokyo International Film Festival, Toronto International Film Festival, Tribeca Film Festival, and Venice Film Festival.


True to its mission, We Are One: A Global Film Festival will seek to bring artists, creators and curators together around an international event that celebrates the exquisite art of storytelling. In doing so, it will aim to provide not only solace and entertainment for audiences during a time when it’s needed most, but also opportunities for these individuals to give back through donations to the World Health Organization (WHO), UNICEF, UNHCR, Save the Children,, Doctors Without Borders, Leket Israel, GO Foundation and Give2Asia, among others. Audiences will be able to donate to COVID-19 relief efforts through a donate button or link on every film page. The full festival schedule is available at www.weareoneglobalfestival.com.

Source/images: BFI